Box office: Clayface leads North America with estimated $24.5 million
You Can See Everything’s second-weekend estimate rises 25% to $19.5 million, keeping A24’s documentary in second place after a major cinema expansion.
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You Can See Everything’s second-weekend estimate rises 25% to $19.5 million, keeping A24’s documentary in second place after a major cinema expansion.
DC Studios’ horror film Clayface led the October 23–25 North American box office with an estimated $24.5 million opening. Among smaller releases, NAZA’s estimated cumulative gross passed $1 million, while La Bola Negra expanded to nine cinemas in its second weekend.
Street Fighter had led the previous weekend with an opening of about $31 million. Its second-weekend ticket sales fell roughly 72%, moving the video game adaptation down to fourth.
The weekend also brought openings for Sony Pictures Classics’ The Only Living Pickpocket in New York and Mubi’s Fatherland. Fatherland played at four theaters in New York and Los Angeles.
| Film | Weekend | Screens or theaters | Weekend estimate | Cumulative estimate |
|---|---|---|---|---|
| NAZA | Fourth | 73 screens | $74,500 |
The agreement covers territories across Europe, Asia, Africa and Latin America, while A24 plans a separate UK and Ireland cinema release on November 20.
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| $1.07 million |
| La Bola Negra | Second | 9 theaters | $245,000 | $650,000 |
| The Only Living Pickpocket in New York | Opening | 6 theaters | $156,000 | — |
| Fatherland | Opening | 4 theaters | $83,800 | — |
Neon acquired the documentary NAZA during its theatrical run. In its October 25 account, Deadline said La Bola Negra was the first film Netflix was accompanying into theaters with official box-office grosses.
Laika’s animated fairy tale Wildwood finished third behind Clayface and You Can See Everything. It earned $12.2 million domestically and another $2.9 million from its initial international markets. The domestic result replaced the earlier $11.6 million estimate.
In its October 26 account, IndieWire described Wildwood as Laika’s first feature in seven years. The film opened on 2,940 domestic screens and carries a reported production budget of about $100 million.
| Rank | Film | Weekend receipts | Opening or change |
|---|---|---|---|
| 1 | Clayface | $24.5 million estimate, October 26; around $24 million estimate, October 25 | Opening weekend |
| 2 | You Can See Everything | $19.5 million estimate | Second weekend; up 25% |
| 3 | Wildwood | $12.2 million | Opening weekend |
| 4 | Street Fighter | $8.6 million | Second weekend; down about 72% |
| 5 | Wicker | $5.5 million estimate, October 25; $5.7 million estimate, October 26; $5.75 million estimate, October 25 | Opening weekend |
You Can See Everything follows Theranos founder Elizabeth Holmes. A24 expanded the documentary from 855 cinemas to 2,655, more than tripling its reach. Its estimated North American total rose to $45.1 million as its second weekend outgrossed its first.
Both estimates below put the overall market above the comparable 2025 weekend, although the totals differed.
| Estimate date | Weekend total | Increase from comparable 2025 weekend |
|---|---|---|
| October 26 | $94.9 million | Nearly 22% |
| October 25 | $101 million | 33% |
NAZA’s theatrical rollout is scheduled to add more cities during October and November.
Few new studio releases are planned for the Halloween weekend, with the holiday falling on Saturday, October 31. In its October 25 account, The Hollywood Reporter listed The Cat in the Hat, Godzilla Minus Zero and Wild Horse Nine for November 6.
Variety reports that Amanda Seyfried is eligible for Oscar acting consideration in the documentary, opening a route beyond its documentary-feature bid.
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IndieWire’s Sunday estimate places A24’s Elizabeth Holmes film second among non-music documentary openings, behind Fahrenheit 9/11.
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